 Artist: Antony and the Johnsons: mp3 download Genre(s): Indie ROck: Alternative Antony and the Johnsons's discography:  I am a Bird Now Year: 2005 Tracks: 10  The Lake EP Year: 2004 Tracks: 3  Antony and the Johnsons Year: 2000 Tracks: 9 Growing up in California, Antony felt himself to be the consummate outsider until he came face to face with the ikon of Boy George on the cover of the Culture Club's 1982 debut record album, Smooching to Be Clever. He relocated to New York City in 1990, where he found a earthly concern more accepting of his van sensibilities and sexually equivocal nature. He created the nightspot tout ensemble Blacklips and modeled himself afterward Gloomy Velvet-era Isabella Rossellini and the drag queen that graced the cover of Soft Cell's 1982 single "Torch." He formed Antony and the Johnsons and released their self-titled debut on David Tibet's Durtro label in 2000, followed by an appearance on the Lou Reed albums The Raven and Creature Serenade -- he toured with Reed as considerably end-to-end 2003. He has as well appeared in the Steve Buscemi moving-picture show show Brute Factory as an androgynous convict. Antony and the Johnsons released a series of EPs in 2004, followed by the band's sec full-length, I Am a Bird Now, in February of 2005. |
Thursday, 28 August 2008
Mp3 music: Antony and the Johnsons
Monday, 18 August 2008
MSU Study Finds That Not All Hearing Aids Are Created Equal
�Consumers with hearing departure might think they ar saving significantly more by purchasing o'er the-counter listening aids, but they most likely testament be disappointed - or could be taking risks - when purchasing such aids, according to MSU research.
Professor Jerry Punch of the Department of Communicative Sciences and Disorders and Susanna Love Callaway, a womb-to-tomb education alumnus and international student from Denmark, published their study on over-the-counter hearing acquired immune deficiency syndrome in a recent military issue of the American Journal of Audiology.
Through her work as a educatee in Punch's two online courses, Callaway began to wonder around the high cost variability of hearing aids and asked Punch to counsel her on a electric potential project. Specifically, do hearing aids experience to be expensive to work from a strictly technical standpoint? Punch and Callaway set out to find the answer by subjecting 11 over-the-counter audience aids to the like test protocol as traditional hearing acquired immune deficiency syndrome.
Most consumers do non have or have only partial policy coverage for hearing aIDS, leading to out-of-pocket expenses ranging from hundreds to thousands of dollars. Low-cost options ar typically marketed on the Internet and in mail order magazines as listening devices - often for razz watchers or deer hunters.
"These affordable amplifying devices can appear tempting to individuals with hearing impairment because of the pregnant cost differences," Punch aforementioned. "But our research ground that the low-cost aIDS generally don't meet the fitting requirements to facilitate a hearing-impaired person and could potentially damage a person's audience."
The enquiry is important to consumers, Callaway aforesaid. "Aside from being of extremely poor quality, very low-cost hearing aids - those under $100 - have the potential to damage your hearing because they send very brassy sounds into the capitulum. The study's mid-range audience aids ($100-500) were of higher calibre and were not considered a safety hazard."
The authors state in their article that aids costing $100 to $500 oftentimes control the amount of sound sent into the ear better, but without a precise and knowledge-based fitting of the twist by an audiologist, consumers can require to see hit-or-miss success, Punch aforesaid. "Based on the research, the best advice for consumers is to peach to an audiologist. Because hearing acquired immune deficiency syndrome have complex technical features, they pauperism to be fitted and customized to the single."
The study measured how well the electronic features of the devices could compensate for commonly occurring types of hearing loss, employing methods that audiologists use to fit conventional hearing aIDS - a process audiologists call normative fitting. Specifically, the researchers found that only a few of the aIDS they studied met the basic accommodation requirements, and, for the few that did, that was on-key only for a specific degree of hearing red.
"Currently, more than 32 million people have a hearing deterioration, yet alone about 25 percent of those employment hearing aIDS," Punch aforementioned. "Meanwhile, the aging population is growing - and hearing red ink becomes more common as we become older."
Although the Food and Drug Administration formally regulates audition aids, those regulations ar not implemented for low-cost amplifying devices that are sold through mail ordination and on the Internet, Punch aforesaid. He thinks that people with listening loss should have more than information or so these devices.
The research was funded by the Oticon Foundation, and equipment was provided by Frye Electronics of Oregon for the duration of report.
Callaway is first author on the paper, which was character of her master's thesis for her degree in audiology at the University of Copenhagen. She is currently complemental the requirements for a doctorate degree at Western Michigan University.
Michigan State University
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Professor Jerry Punch of the Department of Communicative Sciences and Disorders and Susanna Love Callaway, a womb-to-tomb education alumnus and international student from Denmark, published their study on over-the-counter hearing acquired immune deficiency syndrome in a recent military issue of the American Journal of Audiology.
Through her work as a educatee in Punch's two online courses, Callaway began to wonder around the high cost variability of hearing aids and asked Punch to counsel her on a electric potential project. Specifically, do hearing aids experience to be expensive to work from a strictly technical standpoint? Punch and Callaway set out to find the answer by subjecting 11 over-the-counter audience aids to the like test protocol as traditional hearing acquired immune deficiency syndrome.
Most consumers do non have or have only partial policy coverage for hearing aIDS, leading to out-of-pocket expenses ranging from hundreds to thousands of dollars. Low-cost options ar typically marketed on the Internet and in mail order magazines as listening devices - often for razz watchers or deer hunters.
"These affordable amplifying devices can appear tempting to individuals with hearing impairment because of the pregnant cost differences," Punch aforementioned. "But our research ground that the low-cost aIDS generally don't meet the fitting requirements to facilitate a hearing-impaired person and could potentially damage a person's audience."
The enquiry is important to consumers, Callaway aforesaid. "Aside from being of extremely poor quality, very low-cost hearing aids - those under $100 - have the potential to damage your hearing because they send very brassy sounds into the capitulum. The study's mid-range audience aids ($100-500) were of higher calibre and were not considered a safety hazard."
The authors state in their article that aids costing $100 to $500 oftentimes control the amount of sound sent into the ear better, but without a precise and knowledge-based fitting of the twist by an audiologist, consumers can require to see hit-or-miss success, Punch aforesaid. "Based on the research, the best advice for consumers is to peach to an audiologist. Because hearing acquired immune deficiency syndrome have complex technical features, they pauperism to be fitted and customized to the single."
The study measured how well the electronic features of the devices could compensate for commonly occurring types of hearing loss, employing methods that audiologists use to fit conventional hearing aIDS - a process audiologists call normative fitting. Specifically, the researchers found that only a few of the aIDS they studied met the basic accommodation requirements, and, for the few that did, that was on-key only for a specific degree of hearing red.
"Currently, more than 32 million people have a hearing deterioration, yet alone about 25 percent of those employment hearing aIDS," Punch aforementioned. "Meanwhile, the aging population is growing - and hearing red ink becomes more common as we become older."
Although the Food and Drug Administration formally regulates audition aids, those regulations ar not implemented for low-cost amplifying devices that are sold through mail ordination and on the Internet, Punch aforesaid. He thinks that people with listening loss should have more than information or so these devices.
The research was funded by the Oticon Foundation, and equipment was provided by Frye Electronics of Oregon for the duration of report.
Callaway is first author on the paper, which was character of her master's thesis for her degree in audiology at the University of Copenhagen. She is currently complemental the requirements for a doctorate degree at Western Michigan University.
Michigan State University
More info
Friday, 8 August 2008
New Orleans music highlights, Tuesday, August 5, 2008
Rapper Mos Def is at the House of Blues. The Johnny Vidacovich Trio at d.b.a. features Kirk Joseph on tuba and Rick Trolsen on trombone. The Baby Boyz Brass Band kicks at the Mid-City Lanes....
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